OPERATION SUNKEN SEA
2018 - ongoing
performance, multi-media installation
Operation Sunken Sea: Visual Research, Flower Bouquets (video still), 2020
RELATED TEXTS
Furtado, Will. “Understanding the Contemporary Condition via Historical Megalomania”. Contemporary And, 8 Jan. 2020, https://www.contemporaryand.com/magazines/understanding-the-contemporary-condition-via-historical-megalomania/?fbclid=IwAR38POkMiFqLtqp-a6Tov3pmN5a14eZVJyTEb-uab5RHG7T2DwQYJ-BrLrA.
Senova, Basak (essay). “Flipping the History: A Collection of Notes and Quote Responses on Heba Amin’s Project Operation Sunken Sea”. di’van: A Journal of Accounts. Art | Culture | Theory. No 4, p. 54-62.
Njami, Simon (essay). “Chimera”. Kunstpreis Böttcherstraße Prize Bremen 2018, exhibition catalogue, 2018.
Invested in the power of technology to generate a new future for humankind, OPERATION SUNKEN SEA initiates a large-scale infrastructural intervention unparalleled in scale: a new era of human progress will be initiated through the draining and rerouting of the Mediterranean Sea to converge Africa and Europe into one supercontinent. The operation promises to bring an end to the migration crisis, provide employment and energy alternatives and confront the rise of fascism. The project instills a fervent movement towards technocracy which takes a proactive stance towards the reparation of Africa and the Middle East by relocating the Mediterranean Sea within the African continent.
Referencing and expanding upon early twentieth century techno-utopian visions, OPERATION SUNKEN SEA is an ongoing research project and intervention by Heba Y. Amin that investigates significant transformations in territorial constructs and their impact on new geopolitical alliances and global politics. By shifting the paradigm in a time of neo-fascist necropolitics, the project responds to the contemporary moment of political uncertainty in Europe, the unrest and collapse of nation-states in the Middle East and the neo-liberal failure of globalization in Africa. The operation – mimicking languages (political, architectural and cultural) of fascist regimes – instigates a new vision for Africa and the Middle East by pinpointing what could be attained by and for those most affected by the wars waged for oil, resources and power in the last century.
Operation Sunken Sea: Relocating the Mediterranean, Inaugural Speech, 2018, One channel video, 18'21'' Photo Documentation courtesy of Francesca Vella
Operation Sunken Sea: Relocating the Mediterranean, Inaugural Speech, 2018, One channel video, 18'21'', video still
Operation Sunken Sea Installation View, Malta. 2018. Valletta 2018, European Capital of Culture
Operation Sunken Sea Installation View, Malta. 2018. Valletta 2018, European Capital of Culture
Herman Sörgel in the office of the New York Times, n.d. ADM 92. Photo Deutsches Museum
The Master’s Tools I (restaging of Herman Sörgal’s portrait) 2018 B/W Archival Print, 80 x 110 cm
Portrait of Woman as Dictator I, Archival print, 80 by 63 cm, Berlin Biennale, photo courtesy of Tim Ohler
Operation Sunken Sea (the Anti-Control Room) - Video wall, 2018, 9 channel video, 37'05'', Berlin Biennale, photo courtesy of Tim Ohler
Operation Sunken Sea (the Anti-Control Room) - Video wall, 2018, 9 channel video, 37'05'', Berlin Biennale, photo courtesy of Tim Ohler
Operation Sunken Sea (the Anti-Control Room) - Video wall, 2018, 9 channel video, 37'05'', photo courtesy of Kristin Støylen
Operation Sunken Sea, 2020 Installation view, Mosaic Rooms (flag) Photo courtesy of Andy Stagg
Operation Sunken Sea, 2020 Installation view, Mosaic Rooms, Photo courtesy of Andy Stagg
Operation Sunken Sea, 2020 Installation view, Mosaic Rooms, Photo courtesy of Andy Stagg
Operation Sunken Sea, 2020 Installation view, Mosaic Rooms Photo courtesy of Andy Stagg
Visions of the Sea I (2018), Crema laguna stone, 15 × 38 × 43 cm